Wednesday, March 29, 2006

Ad nauseam

Without you.

I am without dreams, but without nightmares. My liberty is a limbo, but your paradise had been my purgatory. Somewhere between my tragedy and your cowardice, my garden of Eden began to look like the Death Row―and surely love deserves death more than any other crime, because it's deliberate from the start. But I only grew feeble and exhausted; I could not cut you. My excuses were like paper dolls―neat, flimsy, two-dimensional.

'Are you over him?' I was asked, kindly, before.
'Almost,' I gave a neutral heave, in my effort not to condemn his. How can a white lie feel so filthy?

And now you're coming back for your―jaunt. Your fix. Your hobby. And I will comply, because saying no has never been an option. I will be there, just as I have been, mechanical nerves and programmed reality, buttons in place, switches thrown. I would remember where you've entered, where you've left. How it is always empty, hollow―but then you make it permanent. It. My heart. This expendable body. For a few hours it would all be all right. And then you would say the obvious before leaving, and in response I would puppet the same lines, and then we part pretending we know all about love. You would go back to your perfect world. I would stay and examine the pieces of mine.

Why. I don't even have strength for questioning anymore, but then I am betrayed by my own curiousity. Why not. Why not―me. Only good for entertainment, this stowaway heart. Stealing miles abroad someone else's love. It's like I've become a mother for you: breeding strange children of verse and melancholy and rancid rhymes. Children that feed on my bleeding. You can be selfish to a fault, and I―stupid beyond redemption.

Time. Runs its lonely fingers through my hair, drawing out the kinks, breaking strands, the strays clinging, brittle. And now time is greying, slowly, to another curtain call as I dust out my costume and pretend, once more, that I am both the chorus and narrator to my little Greek tragedy. C'est bon, oui?

Saturday, March 18, 2006

Dystopia

Dear B.,

Thank you for asking. How do I feel? Well.

Right now I feel like I can't breathe. My lungs are filled with a deep winter, permeating empty dry air that accepts none of my burdens. This has gone beyond just being a pretty metaphor. I mean it―I can't breathe. It's like a rusty pulley system that doesn't quite work; the air does not come quickly enough, and I gasp, and I heave, like fish out of water.

As insipid as a fish, sucking air out of water. I think I shall go and see a doctor.

Oh, and you asked about my father. What shall I say? The truth, I suppose: in unceremonious terms, my father is failing. He has become this thing―small and weak and shrunken and paranoid. I bite down on my own anger―a sort of resentment that is almost adolescent in its logic―at his infirmity; why subject me to all those years of torture, all those years of beating down on my self-esteem, making me believe that I was ugly and worthless and stupid, making me live like I would be better off dead, making me see that my future was going to be dark and dense and draped like a funeral, only for him to turn out this way? He was the fervid, fervent, commander-in-chief. The strong one. The one who ran an almost tolitarian regime at home, who lorded over all of us, whose anger made him a tyrant and whose age eventually reduced him to a whimpish, sickly depressive. If only you knew what you would become. Would you still have blamed me, would you still have bull-dozed your way over my ambitions―?

I know what you would say―what you've always said―love conquers all of its commands. That was your manifesto, your dictum, my curse. You would have quoted Aristotle; you'd have said, doesn't matter, there is no right or wrong, only virtues―love him, and it'd all be all right. I'd have laughed and called you Mr. Mary Sunshine. You might've jabbed me with your elbow, and then implored me with your bright blue eyes and tell me that there is no crime in simplicity.

My dear B. I hope Sara is well, and the kids―big kisses for the girls. Little J has your shy blue eyes but her mother's colouring: russet hair, flaxen skin. Z has your gentle features―that impish smile is yours, all yours―and I can't believe she's almost 6. Big kisses for the girls. As for Sara...quiet, smiling Sara. Her sunset hair, and the cool grey of her worried, wandering eyes. I know you don't enjoy the happiest of marriages. You've always been too loyal to Sara to say otherwise, but I know it: the slump in your shoulders when you do talk about her, the hesitant note tagged to your 'she's fine, Sara's fine', the staggering resignation that you want to change the world, but she sees your ambition as a boyish quirk at best, a growing obsession at worst. I return your advice: love her, love them, and it'd be all right.

Talking about changing the world―I watched V for Vendetta and it reminded me so strongly of you. The political overtones, the scorn for popular complacency, the idea that one man―if equipped with the right motive, method and madness―could effect change in a crippled society. Our afternoon talks, popcicles dripping: amiably different philosophies; you have your discourse, I have my diatribe. We'd returned to our cubicles knowing that the corporate world has no place for our flights of fancies, but better die a dreamer than a blank. Thank you, B., for those moments of indulgence. In many ways, your belief in me is something I have always wanted out of my father, a diseased desire, one that you recognised and perhaps unconsciously indulged. And don't say there is nothing to thank. You have no idea.

I'm still―the breathing isn't any easier―but you would have wanted to truth. Thank you for writing. Thank you for caring, for remembering: aut vincere aut mori, per aspera ad astra!

J.

Friday, March 17, 2006

Effigy

WL was the Mr. Big of my time―such presence, always laying claim on spaces, on people, on things, and with amiable, effective authority. Women never found it very difficult to like him―handsome eyes, shades of youth in that peach-kissed complexion, still-full hair, thinning only very slightly; a trained charmer who always had a backhanded way of complimenting women, tormenting them with a certain offhanded masculinity. Men found him a disconcerting friend―generous, easy to trust, but because of which they accord him with a degree of distance, of suspicion, to which he seldom acknowledged and certainly never appeared to care.

WL. It would have been too predictable, too pedestrian to have fallen for him, because he couldn't help but to encourage the chemistry between us―former colleagues―to blossom into something else. I was barely 21. He was well into his thirties, married, and not unhappily so. Just one of those men, I remember thinking. Just one of those men, wolf-toothed and pigeon-toed, hawk-eyed with romantic lust and a natural intellect.

I didn't tell myself to be careful of him, because―and only in retrospect can I readily admit this―the element of danger was intriguing for me. Could I join him on his half-dance and not tango myself all the way to hell? Could we stay―friends, even if we indulge in intimate conversations not quite appropriate for the edict that govern us as colleagues?

His marriage was practice made perfect. I sensed that he had not fallen out of love with his wife, but he had grown out of the man that he was when they were first married. To stay completely loyal to her would mean a return to that innocence, which, of course, he had lost long time ago. Like most unfaithful men, it was never his intention to cheat. That seems to suggest something petty, a dubious double-dealing that did not call into question the fact that the human heart has the capacity to love more than one person, and sometimes this duplication of love occurs within a marriage. Sometimes it was merely entertainment, I think; days can get dull, and nothing thrills like a game of seduction. Was it wrong? Is it? I'm no moral police. Fact is, I understood the game WL was playing. I did not necessarily wish to become the game, but to trail along with the hunter―that was something else.

My relationship then had relaxed into a routine―it was comforting and stable, and I did not especially want to jeopardise it. But I was bored, young, restless: my usual gods with their shady tenets. WL and I often worked late together―leaving after to one quiet bar or another became an unspoken pattern. It was our thing. No big deal. We would slouch over some worn bar counter, pick our poison, and talk until I could no longer invent any excuse to the ex or, for that matter, my mother, for staying out this late on a week night.

The beauty of it was how consistent this arrangement was. He never asked for more. I never questioned his motives. We left much of it―our chemistry―to the music, to our conversations, to our long aimless drives around the island. We sang songs, held hands, and laughed our way through a year of companionship.

'I think my boyfriend is cheating on me,' I'd told him once. The juke box was playing cupid. Tacky love songs flavoured the air.

Him, with the last silver of scotch in his glass. Eyes shadowed with tender sorrow. 'Define cheating,' he'd replied, softly, without judgement, but heavy on irony.

To my horror I began to cry, blanched by the sock of pain in my stomach at the falling of my words: my own guillotine, as always. He held me for a while, heartbeat to heartbeat; mine random, his deliberate, both beating, bloody, beastly.

'We are always cheating,' he allowed, later, on the drive to my home. 'Cheating time, cheating death, cheating one another. It's what we do.'

I did not want to justify or juxtapose, so I merely kissed him on the cheek and said good night.

When he had to leave Singapore for work commitments, that was exactly how we said our private goodbyes. A long talk, a strong drink, a big hug, and a small kiss.

Today, after months of silence, we finally met: casually, of course. His wife was there. A beautiful couple, still. I no longer need to care about someone else's well-being, and I've come to see that WL never really did. Another stolen Romeo―did I not crib the best from him and leave the rest to that pallid, pretty, pale slip of a woman he calls wife?

Memories chafe. They're stuck, dirty needles in my veins, evaporating sulphur and sickness into a void that loving and leaving and cheating and wanting have forged. I'm parched with pertinence.

Wednesday, March 15, 2006

Aphotic

'Are you happy,' the woman asks. It is meant to be a question, of course; she flattens her tone only because it sounds less―threatening.

The man is driving. He has a hand on the woman's lap―it wasn't really a sexual gesture as much as one of casual intimacy. A friendly, uncaring manner of possession. The woman does not mind his touch, even though she does not altogether respond to it, or him.

'Am I happy?' The man questions―in rhetoric. He's a clever conversationalist and has every intention of playing along with the woman. 'Well. I'm not elated.' He declares, intoning his italics precisely.

'Okay then,' the woman says, a hint of laughter in her voice. She turns her attention to the long stretch of road, running deep into the night. Streetlights twinkle like earthstars.

'Don't you want to know why I'm not happy?' asks the man. He takes her hand; clammy fingers.

The woman shrugs. 'No, not really.'

'Because my happiness is not important to you.' The man takes his hand away. He is not affected by her words: this is a game they are both rather apt at, a pointless paddle-ball of lightweight pain. But he's curious, he's always been, especially about her. She's not an engima―not the way books make engimatic people out to be anyway. As far as he's concerned, everyone is a mystery, because everyone has secrets. But he's curious about this woman's secrets because he really does like her, even though she is merely a―friend.

'Because your happiness is not integral to us being friends,' she replies, as though catching the last train of his thought. Again, that whisper of laughter in her voice. Her face is serious, but her eyes are bright. Her frank, generous mouth shows the beginning of a smile.

'Happiness is the thing people use to fuck one another with. I'm no longer happy with you. Why can't you do more to make me happy? As long as you are happy. What bullshit.' The man sighs, for show, for impact.

The woman turns on the CD player and ignores him. Happiness is nothing more than a narrative, she thinks to herself. And none of us deserves happiness, because we've never cared about it enough to understand it.

'Are you happy?' the man counters.

And I merely smile.

Thursday, March 09, 2006

Mélange

I still despise routine, but in my current ataxia, certain rhythmic rituals are extraordinarily comforting. 12.07 a.m. A swirl of gin, two slices of kalamansi, and a splash of tonic on the rocks. No music, except the delicate clang of ice against glass.

The dogs two floors down barked pointlessly at the quiet moon. The last goldfish had cartwheeled itself; dead. I looked at it with slight pity, god-like in my compassionate indifference. You should clean it up, scoop it out, throw it away. But I left it there, doing its death curtsey as it bobbed about in the tank. You're definitely shit-faced when you think that a dead goldfish is a grand symbol, Jean.

I was quietly amused. Swigged my gin. Walked to the balcony; a balmy breeze gave wings to the night. Nightwatch―these are the closed-fisted, indulgent hours of my day, where I'm only required to breathe. No false pretense, no drama, no antics, no PR drivel. My thoughts are safe with me. I inhaled: the night-air whiffed of paganism, of old gods with their angry mugs and hangovers and genitals, presiding over this mortal mess with pitchforked passion.

I'm jobless, loveless, clueless. So why this irrepressible urge to―laugh?

Memories jostled and clashed, the drunken Titans of my mind. I was missing something―like a phantom arm, a surpressed amputee―and I kept leafing through my thoughts like a dog-eared brochure, looking for symbols and warning signs and meaning. Nothing turned up. Jetsam. I was an alcoholic wasteland.

Get a job. Bite the bullet. Help your folks. Your desperate disparity is uniformed. You're different because you're the same. Get off the fucking high-horse. Get real. La vie bohemé your way to the bank, baby, and then you can drink your absinthe and think vulgar, moneyless thoughts. This is hell du jour.

The moon, an ancient ballerina, glided across the sky. The clouds looked like discarded tu-tus, rumpled beyond care, and I kept wishing there was someone I could point this out to. Someone here, looking at my fitful tide, knowing that I could not help but to recede, but understanding that the washed-up debris is my only constant, my only honesty.

It couldn't be you, could it, you with your nectarine-flavoured promises. I've come so close to ripping my face off for you, to change, to engineer myself, to become your Lego lover, one which you could smash down and rebuild. Yet there is nothing from you except that weary masculinity, that wimpish want for love, shared by generations of half-witted romantics before. There is nothing from you. Your distance is like weightless helium, floating my sadness.

Nor could it be you―your smile has the ghost of Mona Lisa, lipped with enigma. Your kindness is a profile of an ancient statue, frozen in place, a captive of the moment, something deliberate, rather than instinctive. You encourage my imagination, yet our occasional intimacy is a crosspiece that barely supports my heart's gravid structure. You sail through my veins, a classy drug, and you have no idea how I despise myself for succumbing.

Nor you, I think. You are so heartbreakingly young―your earnestness has made you fragile. I think of myself as a rain-soaked parcel, turning up unnamed and muddied at your doorstep. My crass mystery, brown-papered, soiled and wrongly postaged, become your one grand draw. I've told you, warned you. Please stay away. The epilogue was inked despite the forgotten address: dear heart, please keep your bubble-wrapped security and not break itself all over my valueless void.

How kind my men have been to me. I'm so damned unpretty―all jagged edges, a hollowed-heart―but it seems I facilitate a sort of vertigo around men, a blackout, and they appear to like it. They ignore my past, trepass my present, and try in their gentle ways to augment a probable future. I sit like a lady-in-waiting―no, dear fools, I can never be your princess―and I listen. Songs strummed on old guitars. Excuses tossed out like faded couture pieces. Token pledges. Heartbroken goodbyes. Sheepish apologies. See you soon. How much love can one heart take? My arteries are clogged. I'm sorry.

My drink was done. Reality lapsed. Poetry came. Auden said he had never seen a wild thing felt sorry for itself. He obviously does not know me. Inward smirk. You think you're so smart. What did E say―you're a fucking elitist. Heyho, what a bitch. I walked past my father's room, and there he was, splayed on the mattress, a day-blind star, waiting for light. I felt the instinctive love of shared blood and tangled ties, a history that was born the day the doctor forceped me into this world. Who knew? From the warm womb to the voracious vacuum of this life. How we suffer. I slipped into the room and drew the curtains a little tighter. His snores traced my steps into my own room.

Too many thoughts for one day. People take jam with their toast, you take jeopardy. I chuckled outloud. I thanked René for her love, whispered a prayer to my dead grandfather, turned down my bed, and exchanged the wakeful slumber of my day for the sentinence of my interminable night.

Monday, March 06, 2006

Masquerade

There are some trespasses I can no longer forgive, because―let's face it―I'm old enough to know better. Like getting smashed. Like sneaking errant drags from someone else's fag. Like abashing my heart into a skittish mess with yet another careless valentine.

The problem with getting drunk with someone is that one person will always remember everything the other forgets. The problem with getting involved with an old lover―cigarettes, I mean―is the fallacy that because you've walked away once, and you can always turn your back again, should you choose to. And the problem with my treacherous, thieving heart is the fact that it is both treacherous and thieving, and I'm not sure if it should be offered anywhere within a ten-mile radius of an asylum.

Of course, in my less poetic moments―which I have in abundance these days―I merely shrug: shit happens. I'm only human, with anemic desires and shallow philosophies. I'm young, I have my days. I let loose, so that I don't get lost completely. So assailable is my self-justification that the moment my alcoholic-haze slips, my regimented reality hits faster that the proverbial hang-over.

Over the years I've realised that I enjoy many things―but mostly from a distance, or in retrospect. I've lost count of the number of times I couldn't wait for something to be over so that I could write about it, and make sense of it in my own perspective. For the longest time, nothing is real to me unless I could extirpate its essence and translate it into words―my words.

And so it was, a textbook Saturday evening: there was enough alchohol to drown a small army, and obviously not enough sense to stop our happy hour before it floored us. I watched us from a detached, incurious manner; I recorded our mannerisms, the way we fumbled for a commonplace to make up for our differences, the way we were almost deliberately casual, yet the undertone of intimacy pulsed alongside our heightened heartbeats. They played Duran Duran; you twirled me like the suburban wife I would never be. They cranked up the beats of old songs; we played off each other's youth and monkeyed around with unglamourous abandon. They told us that the night was still young; we grinned slyly and understood each other's wicked wants.

You make it too easy for me. And I make it too easy for me. I was reduced to a contemptible clichéd when we parted with my whisper: you make me break all my rules.

To which you only reward with that sleepy, persistent smile of yours. Noch einmal, bitte―bevor du gehst.